
This is my finalalised poster i decided not to change the colouring/shading of the face and i also changed the sizes of the titles, finally i added a showing date and time and the sub title 'H.C.T.V documentary'.
A2 Media Studies Advanced Portfolio
atography used in the documentary is very detailed and captivating for the viewer, the way the shots are put together blend and show the continuity of the documentary for the audience, the choice of shot is also very important for the documentary as certain cutaways and interviews are shot to show the extent of injuries or the speed in which a soldier is brought to a hospital(see figure 1 left) . The documentary opens using footage shot by a soldier presumably a camera attached to his helmet this gives the viewer an idea of what it is like to be a soldier in Afghanistan and the way it blends in with the on screen text also builds tension for the viewer as they are expecting something to happen.The following shots show the rapid journey of the soldiers trip from Afghanistan to a selly oak hospital
mostly mid shots are used for this as a mid shot gives the audience a sense of the location as well as the people within it. The following shots are mostly shot in the hospital showing Andy Allan’s first few moments in the hospital and how he is being treated (see figure 2 right), these shots blend with the voiceover well and also show the audience how the soldiers are treated whilst in hospital, close ups are also used in this part of the documentary for example the loose close up on the soldiers severely burnt face, these shots give the audience an idea of the ex
tent of the soldiers injuries and the service they are doing for the country. The interviews that are shot in this short sequence are all shot well and all apply the rule of thirds with exception to the interview which contains two people, they are also shot taking into consideration of the location or why they are there for example the soldiers interview is shot with a loose close up in order to show that he has lost his arm or the shot of the nurse with a hospital bed behind her (see figure 3 left) .
t and props the main props are things such as hospital equipment which are included in the shot to give the audience an idea of the location and surroundings.Character placement is vital for shooting an interview, the rule of thirds in applied well within most interviews and all are shot well, with character position in places to show detail and presence(see figure 4 right). The lighting used is mostly natural light for the cutaways and the interviews seen as most are outside on a fairly sunny day or in a well lit hospital.
ng the piece together this documentary has blended the shots and sound together well and the juxtaposition of shots is very good throughout and the whole thing flows, the opening of the piece is edited very well with the on screen text and the footage shot by a soldier sharply cutting in and out(see figure 5-6 left), This keeps the audience engaged and builds tension because they are expecting something to happen. My only criticism of the editing is tha
t there are no on screen titles of people that are interviewed, even though the voiceover informs the viewer of who they I think it is conventional for a documentary to have on screen titles to appear. For the most part the editing is sharp and flows naturally throughout.
within it. The cutaways and interviews are shot and put together in an excellent fashion in order to blend the documentary together in order to create continuity. The documentary captures all interviews well applying the rule of thirds throughout, many of the interviews shot within the five minute sequence are relatively close to the persons face as there is not an awful lot of the background shown as it may not be relevant(see figure 1 left) . The cutaways used in this opening 5 minute sequence are mostly of the red arrows in training this is good because it shows the profession the documentary is based on in action and gives the viewer an Idea of the dange
rs involved, some of the shots used for the cutaways are quite breathtaking at extreme heights with the red arrow team doing intricate formations and movements through the sky (see figure 2 right). The majority of the shots are long and mid shots as it is difficult to get a close up on a jet, there are some effective close ups included of the pilots in the cockpit during flight this gives the audience an idea of what its like for the pilot.
s also important in documentary, the key parts of mise en scene in this documentary is lighting, character positioning and props. The only most evident props being used throughout is the red arrow jets and RAF planes (see figure 3 left). The lighting is very good throughout the documentary with everything being well lit and a number of shots and interviews being shot outside using the natural light of Cyprus, the only exception to this is the parts of the documentary inside the class room when the projector is on. Character positioning is also very good within the documentary with all interviews taking into account location and surroundings and applying the rule of thirds.
e whole thing flows showing continuity. The documentary is cut very sharply and is conventional in the way that it has on screen text supplying the viewer with the name of interviewees (see figure 4 right), there is also an effective animation of the world zooming in onto the location where the red arrows train in Cyprus. Overall the editing is very sharp and faultless making the whole piece flow and blend together.